Saturday, May 26, 2007

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Movie Review: Kya Love Story Hai

Post Raj Kapoor's SANGAM, the concept of love triangles have been cycled and recycled over the decades. Debutante director Lovely Singh borrows everything from the shelf and comes up with a fare that has nothing new to say. Most importantly, if the title happens to be KYA LOVE STORY HAI, there has to be something in this love story to make you jump with joy and also feel that the title was justified. Sadly, that's not the case here! Two guys love the same girl, add a dash of heart-burn, throw a few comic scenes and plug five/six song and voila, the recipe for a love story is ready. Films like KYA LOVE STORY HAI worked in the 1970s and 1980s, but in today's context, it's completely out of sync. In a nutshell, KYA LOVE STORY HAI is as obsolete and outdated as last year's newspapers.

KYA LOVE STORY HAI is the story of a carefree and wayward youth, Arjun [Tusshar Kapoor], who experiences love-at-first-sight with Kaajal [Ayesha Takia]. It isn't a typical situation -- he follows her for some time before succeeding in breaking the ice. For Kaajal, Arjun is a mere acquaintance, but the latter is in love with her and afraid of conveying his feelings. On befriending her, he learns that she lost her mother years back and that her father was busy traveling abroad on business. A situation arises when Kaajal comes across a letter that Arjun has written for the girl he loves, but she doesn't know to whom he is referring. Arjun deliberately asks her how she would reciprocate his love if she were the girl he was in love with? Kaajal's reply leaves Arjun self-introspecting, making him mysteriously disappear from the scene. In the meantime, a successful and snooty entrepreneur Ranveer [Karan Hukku] meets Kaajal. Following some heated verbal scuffles with her, he concludes that she would make for an appropriate life-partner because she was a stabilizing influence and kept him mellow. When Arjun returns to South Africa, during an astonishingly coincidental encounter, he finds Kaajal engaged to the entrepreneur. Destiny has entangled three hearts, but who will emerge victorious? The problem with KYA LOVE STORY HAI clearly lies in its script. You don't have to be a Nostradamus to predict what's in store next. You actually look for some novel sequence/incident in the narrative, but there's none. Sure, a few sequences are well executed, like the sport on the beach, but the unwanted songs coupled with the cheesy comic track involving Tusshar's sex-maniac friends act as spoilsport. From the writing point of view, the conflict between the three people is handled in the most routine manner. The viewer knows what twists and turns will follow next since there's no originality whatsoever. Lovely Singh's direction is mediocre, but the culprit is the screenplay. A thin storyline has been stretched needlessly for no reason. Lovely knows the technicalities right, but one hopes he opts for innovative stuff in his future endeavors. Pritam's music is a major asset. The Kareena Kapoor track ['It's Rocking'; the film begins with this stylish song] is the best track. The other songs are tuneful as well. Only thing, the placement of songs is a problem. Rajeev Shrivastava's cinematography is attention-grabbing. The stunning locales of Cape Town give the film a glossy look. Dialogues [Niranjan Iyengar] sound natural. Tusshar's role is akin to the one he portrayed in his debut film MUJHE KUCHH KEHNA HAI. He loves the girl, but can't express his feelings. Despite saddled with a role he has visited in the past, it must be noted that Tusshar is quite likable in his part. The honesty that this character demands is writ large on Tusshar's face and expressions. Ayesha Takia handles her role with admirable ease. Her infectious smile enlivens the scene. Although the part doesn't demand histrionics, she pitches in a commendable performance. Newcomer Karan Hukku has strong screen presence and carries himself well, but he looks stiff in a few scenes. Also, he needs to work on his dialogue delivery, especially during romantic scenes. Sujata Kumar [Karan Hukku's mom in the film] is effective. Tusshar's two friends irritate. Kareena Kapoor looks gorgeous in the opening track. On the whole, KYA LOVE STORY HAI stands on a shaky foundation [poor script] and that is its biggest weakness. Disappointing!

Movie Review: Panga Naa Lo

Laughter is the best medicine. But making people laugh is a difficult job. This, you realize after watching PANGA NAA LO.PANGA NAA LO is a story of the two families -- Kartar Singh alias Kakkee [Om Puri] and Karsanbhai Shah alias Karsan [Satish Shah] -- who have been living in adjacent bungalows since the past 25 years. Karsan and Kakkee are inseparable friends. They mostly meet for drinks and 'snakes' [snacks] at a pub they have been frequenting ever since their college days. The owner of this pub, Gonsalves [Viju Khote], also happens to be their buddy and over the years, the three have developed a wonderful bond of friendship. Their two children, Vera [Priyanka Yadav] and Bhura [Kunal Roy Kapoor], too have played together as kids. Now in their teens, their friendship is slowly beginning to blossom into love. Karsan and Kakkee are overjoyed at the development. But they notice that neither of them is making their move.


Sensing the deadlock, the enthusiastic fathers decide to cook a plan. They scheme a series of events in order to bring the lovers together, but it so happens that, sometimes due to Bhura's introvert nature and sometimes by a sheer stroke of bad luck, their plans fail to produce the desired results. So do the fathers eventually manage to bring the two kids together?Good intentions gone wrong, that's the best way to describe this film. A handful of sequences do tickle your funny bone, but the comedy falls flat most of the times. Also, the handling of the subject leaves a lot to be desired. Besides, a few scenes can be deleted to make the goings-on crisper. Most importantly, PANGA NAA LO could've done with a better script. You can make out that the actors are doing their best, but the screenplay loosens up at times, depriving you of the guaranteed impact it promised. Rajen Kothari's direction is passable. Also, as mentioned earlier, the screenplay lets him down. Music [Rahul Ranade] is uninspiring. Cinematography is fair. Om Puri and Satish Shah, two seasoned actors, deliver competent performances. Satish's Gujarati accent is humorous. Kunal Roy Kapoor fails to deliver. Priyanka Yadav is just about okay. Supriya Pathak Kapoor stands out, while Navni Parihar is alright. On the whole, PANGA NAA LO is a dull show. At the box-office, it's a non-starter.

The Cannes Diary: Day 2

Title: The Cannes Diary: Day 2

Date: 2007-05-18

Tanuj Garg, senior columnist and international movies professional at Studio 18, will give some quick daily pointers in the midst of his busy Cannes schedule, over the key festival dates…..only for India FM DAY 2

Day 2 was a tad better than Day 1 in terms of momentum and attendees but many still found the market cold. The market is expected to gain pace over the weekend with a large volume of buyers usually making quick trips at this time

The Indian Pavilion was officially inaugurated in the afternoon
The official Cannes opening party was held at The Majestic Beach
Television reporters from Indian news channels accompanied by their cameramen have been shooting stories from various spots around The Palais to capture the Cannes zeitgeist
Variety had a party at The Mint, which went on till the early hours of dawn
Interestingly, Bengali cinema appears to be turning towards Cannes as well. The producer of a low-budget Bengali film was walking around, trying to get a feel of the festival because she intends to take a stand in the Marche Du Cannes from 2008

A number of film commissions are wooing Indian film producers to shoot in their countries............. the result is that champagne lunches at various country booths in The Cannes Village are abounding

New Indian Songs


Awarapan


Jhoom Barabar Jhoom


Mera Pehla Pehla Pyaar


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Aap Ka Suroor - The Moviee Remixes

Tuesday, April 24, 2007

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